Above all, I strive to ensure that the instruments I make are excellent at fulfilling their purpose. This is reflected throughout the development process. In every choice, whether the basic materials such as wood and glue, the shape, proportion and detail of each element, assembly methods, or the choice and application of finishes such as resins that do not interfere with sound propagation, the primary focus is on the sound of the instrument and the comfort of the musician. This is at the heart of all study and decisions.
I always hope to create something particularly pleasant and characteristic with which the musician can identify. My vision is that my instruments are capable of bringing the performer's interpretation and creativity to life. If possible, that they allow something singular to be added. That they be a tool for the player to express themselves, that they meet expectations, but also that they are unique, original and an object with feeling.
Over the years I have been fortunate to receive feedback and guidance from experienced musicians from various backgrounds, which has influenced the way I work and helped shape the characteristics of the instruments I make.
An interest in woodworking combined with a love of music led me to the challenge of building an instrument.
With unsuitable woods and fairly rudimentary methods, I built my first classical guitar. That first experience sparked a great passion for the instrument-making process.
Since then I have pursued the objective of discovering, studying and experimenting with how each choice and variation in the development process can influence the particular sound produced.
With my focus on creating original, handcrafted instruments, I also continue to carry out restoration and repair work, trying to rehabilitate and give a new life to pieces that may need it.
If you are interested, get in touch, I'd be delighted to hear from you.